Cory Doctorow: “Today, Disney’s Tomorrowlands are poised on the horns of a dilemma: a random blend of live stages, Jules Verne steampunk, Fantastic Plastic 60s swirls, advertising-supported exhibits from three CESes ago, defunct race-bikes, and a diorama of the 1964 Progress City where the voice-over once welcomed ‘Our most welcome neighbor: Our GE nuclear power-plant!’ If earlier Tomorrowlands showed our enthusiasm for the future, and then our sense that it had arrived, now Tomorowland shows our deep ambivalence, salted with nostalgia, confusion and cynicism.”
Aside