What if technology existed that allowed memories to be rewritten? If you could have a “do-over” on your life, would you take it? And if so, how would you change your path? To the Moon begins at a sickbed. Two technicians hook a frail, dying man to a machine that allows them to map and catalog his memories, and then to change them. Before his life ends, the man is given one brief chance to “relive” things as he wanted them to be. In doing so, he must forfeit his old, real memories. But, with only days to live, does it matter? Will the technicians make the right choices, and will the man die content?
His dying wish is to go to the moon. But he can’t articulate why: he doesn’t know! And before the wish can be granted, the man’s memories, a whole lifetime of memories — trivial and deep, happy and sad, readily apparent and deeply hidden — must be mapped, linked, and interpreted. And then changed. Deeply, profoundly changed.
This interactive story takes the form of a pixel art game with written dialog. The old-style gameplay belies the depth of the storytelling. The music is integral and captivating. The plot twists and turns, and then all the pieces lock together to reveal something beautiful and sad. I was guessing to the very end. The game is short enough you can complete it in one long evening. As soon as it ends, it starts over, and I won’t dwell on what that cyclicality means. It is worth playing through a second time to pick up on all the clues and connections. Plus, the little twist after the credits role is delicious.
Lovers of Eternal Sunshine of the Spotless Mind will be well-served by this lovely, captivating game. And afterwards, you will surely want the soundtrack.